1ST DAY ELECTROACOUSTIC MUSICS

Resources methods for the construction, preservation and dissemination of documentation. What types of information are being documented ? How does one create, expand and preserve collections ? Which opportunities exist for exchange and collaboration ? How can we help make the electroacoustic repertoire more accessible ?

 Date : October 15th, 2003, 9:30am-6:30pm
 Venue : Centre Pompidou, petite salle
 Access conditions : registration**

**This registration allows you to participate to the "Around Set Theory" Conference.

FRENCH AND ENGLISH SIMULTANEOUS TRANSLATION.

Program

History Session

With the participation of : Bruno Bossis (University of Paris-IV Sorbonne), Martin Supper (Berlin University of the Arts, Germany) and Stefan Weinzierl (Berlin University of the Arts, Germany), Yann Geslin, Marc Battier (University of Paris-IV Sorbonne), Rudolf Frisius, Dante Tanzi (University of Milan, Italy).

	President : Bruno Bossis
09:30am	Opening
10:00am	Electroacoustic Music from the Perspective of Communication. 100 Years of Electroacoustic Music and Media Technology. Abstract Speakers : Martin Supper and Stefan Weinzierl
10:30am	For a constructivist analysis of electroacoustic music and writing techniques of technology. Speaker : Marc Battier
11:00am	Break
	President : Marc Battier
11:30am	Electroacoustic music : territories and maps, stakes of a repertory. Speaker : Yann Geslin
12:00am	Different aspects of analyzing electroacoustic music Speaker : Rudolf Frisius
12:30pm	Information technology and communication of musical experience : categories, conflicts, et intersections. Abstract Speaker : Dante Tanzi

Resources Session

With the participation of : Leigh Landy, Ros Bandt (University of Melbourne, Australia), Koichi Fujii (University of Keio, Japan), Leigh Landy (University De Montfort, UK) and Simon Atkinson (University De Montfort, UK), Daniel Teruggi (Ina-GRM), Anne Veitl (Université des Sciences Sociales de Grenoble), Laurent Pottier (GMEM), Michelangelo Lupone, Ricardo Dal Farra.

	President : Leigh Landy
02:30pm	Documenting the difficult and ephemeral, a web approach to the documentation of interactive electroacoustic sound designs in Australia. Abstract and Article Speaker : Ros Bandt
03:00pm	Chronology of Early Electroacoustic Music in Japan : What Types of Source Materials are Available ? Abstract Speaker : Koichi Fujii
03:30pm	The ElectroAcoustic Resource Site (EARS) : philosophy, foundation, and aspirations. Abstract Speakers : Leigh Landy and Simon Atkinson
04:00pm	Documentary projects on electroacoustic, how to make progress without having the indispensable means ? Speaker : Daniel Teruggi
	President : Daniel Teruggi
04:30pm	Memory and history of electroacoustic music : projects of the Tscimuse Observatory (France, Grenoble). Speaker : Anne Veitl
05:00pm	Analysis of Kernel, a piece by Kasper Toeplitz. Abstract Speaker : Laurent Pottier
05:30pm	Space : A Constructive Domain of the Language of Music Speaker : Michelangelo Lupone
06:00pm	Surviving the impossible. Facing the future, understanding our past. Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers. Abstract Speaker : Ricardo Dal Farra