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Resonances 2003 > Scientific Program
day by day program
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october 2003

scientific program
electroacoustic musics
around set theory
music analysis tools
musicnetwork workshop

professional week
ircam forum workshops
free software for music
international multichannel sound forum
performing arts and technologies
dance and new technologies
access to sound heritage
thematic evenings
demonstration stands

artistic program
set theory concert
music in creation concert
cursus concerts
opera "one"
sound installations

open house weekend
technologies gallery
conferences demonstrations
workshops and films
ircam laboratories
linux install-party
concert distribution on internet

associated events
resonances night at glaz'art
émilie simon at la cigale
suguru goto

guided tours of ircam and the multimedia library

resonances in pictures

resonances 2002


On the opening of this second edition of Resonances we will have a look at live performance technologies from the point of view of musical analysis. We will reexamine in particular concepts of interpretation, representation and more generally concepts of organology in digital era.

During three days of scientific meetings, starting from a formal context (Set Theory and its influence on contemporary musical creation) and a field of experience favorable to musical analysis (electro-acoustic music) the aim is the convergence of analysis tools as an integral part of creation tools.
This analytic approach will be maintained during two concerts that will illustrate those two methods.

Editorial of Bernard Stiegler, Director of Ircam



-  Electroacoustic musics

-  Around Set Theory

-  Analysis tools


-  Musicnetwork Workshop


-  Set Theory concert

-  Music in creation concert


Organization Committee
Copyright Ircam-Centre Pompidou 2003