scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 |
MUSIC ANALYSIS TOOLSThis communal day of the two international conferences of the 15th and 16th October (Set Theory and Electroacoustic) will go deeper into some of their stakes : how to instrument analytical moments of musical composition ? Which correlation composers, on one hand, and musicologist, on the other hand, are trying to make between signal analysis and symbolic decomposition ? What are the current music analysis tools (included analysis as a capacity of musical distinction - incorporating segmentation, visualizing or annotation processes) ? Date : Friday, October 17, 2003, 09:30am - 06:30pm ProgramMorning Speakers : Bernard Stiegler (Ircam director), Pierre Couprie (University of Paris-IV Sorbonne), Evelyne Gayou (Ina-GRM), Jean Favory (Laboratoire Musique et Informatique de Marseille), Nicolas Donin (Ircam), Marc Chemillier (Ircam).
Afternoon Speakers : Gérard Assayag (Ircam), Moreno Andreatta (Ircam), Jean-Pierre Cholleton (musicologist), Philippe Leroux (composer), Nicolas Donin (Ircam), François Delalande (Ina-GRM), Xavier Rodet (Ircam).
FRENCH AND ENGLISH SIMULTANEOUS TRANSLATION |
|||||||||||||||||||||||||||||||||||||||||||||||||||||
Organization Committee Copyright Ircam-Centre Pompidou 2003 |