scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 |
Moreno AndreattaPhD Student, Musical Representations, Ircam Moreno Andreatta graduated in mathematics at the University of Pavia in 1996 and in piano performance at the Conservatory of Novara in Italy in 1998. He also studied composition, music analysis and conducting with Francesco Valdambrini. As the recipient of a fellowship of the University of Sussex at Brighton, he studied aesthetics and sociology of music with David Osmond-Smith and specialized in group theory with Roger Fenn. In 2001 he was awarded the European scholarship of the Marcel-Bleustein Foundation for his researches in the relationships between music and mathematics. He is presently finishing his PhD thesis on computational musicology under the direction of Alain Poirier and Marc Chemillier. Since 2001, he is coordinator of Ircam MaMuX Seminar (Mathematics/Music and relationships with other fields) as member of the Music Representation Team. He teaches the course "New Theories, formalization and analysis" for the Seminar "Evolutions of music theory and analysis in the Twentieth-Century", which is coordinated by Gérard Assayag as part of the master degree program "Music, History, Society" (EHESS, ENS, EPHE, CNSMDP and Ircam).
Participations during Resonances 2003 : Around Set TheoryMusic Analysis Tools |
|||||||||||||||||||||||||||||||
Organization Committee Copyright Ircam-Centre Pompidou 2003 |