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Resonances 2003 > Speakers > Andreatta, Moreno
day by day program
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october 2003

scientific program
electroacoustic musics
around set theory
music analysis tools
musicnetwork workshop

professional week
ircam forum workshops
free software for music
international multichannel sound forum
performing arts and technologies
dance and new technologies
access to sound heritage
thematic evenings
demonstration stands

artistic program
set theory concert
music in creation concert
cursus concerts
opera "one"
sound installations

open house weekend
technologies gallery
conferences demonstrations
workshop-performances
workshops and films
ircam laboratories
linux install-party
concert distribution on internet

associated events
resonances night at glaz'art
émilie simon at la cigale
suguru goto
reseaunances

guided tours of ircam and the multimedia library

resonances in pictures

resonances 2002
 

Moreno Andreatta

PhD Student, Musical Representations, Ircam

Moreno Andreatta graduated in mathematics at the University of Pavia in 1996 and in piano performance at the Conservatory of Novara in Italy in 1998. He also studied composition, music analysis and conducting with Francesco Valdambrini. As the recipient of a fellowship of the University of Sussex at Brighton, he studied aesthetics and sociology of music with David Osmond-Smith and specialized in group theory with Roger Fenn. In 2001 he was awarded the European scholarship of the Marcel-Bleustein Foundation for his researches in the relationships between music and mathematics.

He is presently finishing his PhD thesis on computational musicology under the direction of Alain Poirier and Marc Chemillier.

Since 2001, he is coordinator of Ircam MaMuX Seminar (Mathematics/Music and relationships with other fields) as member of the Music Representation Team. He teaches the course "New Theories, formalization and analysis" for the Seminar "Evolutions of music theory and analysis in the Twentieth-Century", which is coordinated by Gérard Assayag as part of the master degree program "Music, History, Society" (EHESS, ENS, EPHE, CNSMDP and Ircam).

Participations during Resonances 2003 :

- Around Set Theory
- Music Analysis Tools


Organization Committee
Copyright Ircam-Centre Pompidou 2003