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Resonances 2003 > Speakers > Assayag, Gérard
day by day program
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october 2003

scientific program
electroacoustic musics
around set theory
music analysis tools
musicnetwork workshop

professional week
ircam forum workshops
free software for music
international multichannel sound forum
performing arts and technologies
dance and new technologies
access to sound heritage
thematic evenings
demonstration stands

artistic program
set theory concert
music in creation concert
cursus concerts
opera "one"
sound installations

open house weekend
technologies gallery
conferences demonstrations
workshop-performances
workshops and films
ircam laboratories
linux install-party
concert distribution on internet

associated events
resonances night at glaz'art
émilie simon at la cigale
suguru goto
reseaunances

guided tours of ircam and the multimedia library

resonances in pictures

resonances 2002
 

Gérard Assayag

Head of Musical Representations department, Ircam

Born in 1960, Gérard Assayag studied computer science, music and linguistics. He won a national contest launched in 1980 by the French Informatics Agency on "Art and the Computer".

In the mid-eighties, he wrote the first Ircam environment for score-oriented Computer Assisted Composition. He invented and wrote with Carlos Agon the OpenMusic environment which is currently used by hundreds of composers/musicologists throughout the world and is taught in several music institutions.

He is currently coordinator of ATIAM (a Masters/Ph.D. course in Acoustics, Signal Processing, Computer Science Applied to Music co-organized by Ircam and four French universities). His research results in computer music modeling are regularly published in proceedings, books and journals. Gérard Assayag is also founder member of the SFIM (the French Society of Music Informatics) and member of the FWO Research Society on Foundations of Music Research.

His research interests are focused on music representation issues and include computer language paradigms, machine learning, logic, constraint and visual programming, computational musicology, music structure modeling and computer-assisted composition.

Participations during Resonances 2003 :

- Around Set Theory
- Music Analysis Tools


Organization Committee
Copyright Ircam-Centre Pompidou 2003