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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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Gérard AssayagHead of Musical Representations department, Ircam Born in 1960, Gérard Assayag studied computer science, music and linguistics. He won a national contest launched in 1980 by the French Informatics Agency on "Art and the Computer". In the mid-eighties, he wrote the first Ircam environment for score-oriented Computer Assisted Composition. He invented and wrote with Carlos Agon the OpenMusic environment which is currently used by hundreds of composers/musicologists throughout the world and is taught in several music institutions. He is currently coordinator of ATIAM (a Masters/Ph.D. course in Acoustics, Signal Processing, Computer Science Applied to Music co-organized by Ircam and four French universities). His research results in computer music modeling are regularly published in proceedings, books and journals. Gérard Assayag is also founder member of the SFIM (the French Society of Music Informatics) and member of the FWO Research Society on Foundations of Music Research. His research interests are focused on music representation issues and include computer language paradigms, machine learning, logic, constraint and visual programming, computational musicology, music structure modeling and computer-assisted composition.
Participations during Resonances 2003 :  Around Set Theory Music Analysis Tools |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |