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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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ELECTROACOUSTIC MUSICSA century of innovation involving sound and technology. Resources, Discourse, Analytical Tools. Conference organised by Ircam in collaboration with the universities De Monfort (GB) and Sorbonne, INA/GRM, the Musée de la musique (Paris), and Electronic Music Foundation.
**This registration allows you to participate to the "Around Set Theory" Conference. FRENCH AND ENGLISH SIMULTANEOUS TRANSLATION. Inspired by the EARS project (ElectroAcoustic Resource Site, MTI Research Group, De Montfort University) and initiated by the MTI and the MINT group of the Universite de Paris-Sorbonne, this conference is co-ordinated by an international team of organisations reflecting the level of its ambition : to bring together reflections concerning the better understanding of electroacoustic music and to make relevant initiatives more widely available from this music's genesis, its appearance and its development spanning a century,. The organisers are all engaged in the key areas of debate and are equally actively seeking the development of solutions. Scientific Committee Partners PROGRAMFrom the advent of the first electric instruments, the phonograph, radio, telephone, followed by later electronic and digital inventions, the approaches to technologies relevant to the art of sound have only been limited by the imagination of the musician. Throughout the duration of the century, it could be suggested that the study of music involving these technologies has been increasing. However the investigation of such a varied musical repertoire raises a number of issues that this conference proposes to examine. During three days, the conference will debate questions concerning resources, discourse and analytical tools. Conferences
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |
Dates : October 15th-16th, 2003, 9:30am-6:30pm