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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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LAURENT POTTIERAnalysis of "Kernel", a piece by Kasper T. Toeplitz.AbstractIn this presentation, we'll consider different approaches to an analysis of Kernel, a piece of Kasper Toeplitz, created in 2002 in Marseille. We'll present the technical environment used in a concert and we'll examine the score - realized thanks to Composition Aided by Computer's programs - which represents, in an original and accurate way, every sound event (acoustic or electronic) that must be produced by the performers live. About Kernel, each performer must program his own sound synthesis and processing software, on his own computer, depending on the instructions drawn in the score. Performing the piece depends on the gesture made by the performers live but it depends also on the way they understand the indications on the score when they build their own program. |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |