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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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JEAN-JACQUES NATTIEZSet Theory, analysis of the neutral level, and poieticsAbstractThrough an evaluation of Set Theory based on the distinction between the delimitation and the definition of musical units, the author shows how this theoretical model supplies a description of the components of an atonal work which is the equivalent of Roman-numeral harmonic analysis, while at the same time contesting the way in which these units are described and segmented. Using the paradigmatic method, he subjects Forte's analysis of the first eleven measures of Schoenberg's Opus 11, no. 1 to a critical reassessment which calls into question the basic vocabulary which Forte proposes for this piece. He then goes on to examine the validity of Forte's claims about the poietic relevance of his analysis, which he ultimately contests from a historical as well as a cognitive point of view. This talk concludes with a concrete proposal which aims at reconciling the elaborate nomenclature of Forte with a rigorous method of musical segmentation. |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |