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resonances 2002
 

KIA NG

Music Imaging : The Challenge of Optical Music Recognition

Abstract

There are a vast amount of invaluable paper-based heritage, including printed music scores and handwritten manuscripts, that are deteriorating over time due to natural decaying of paper and chemical reaction (e.g. printing ink and paper), similar to many other paper-based items in library and museum archives. Digitisation has been commonly used as a possible tool for preservation. Although the digital copy may not conserve the original document, it can preserve the data in the document, with the advantage of easy duplications, distribution and digital processing.

This talk presents the development of an Optical Music Recognition (OMR) system to transform paper-based printed music scores and handwritten music manuscripts, into a machine-readable symbolic format, and reports various ongoing activities of the MUSICNETWORK project (http://www.interactivemusicnetwork.org) to advance the progress of music imaging.

As we know, document imaging, analysis and understanding is extremely complex, not to mention the additional complexities inherent to Music notation. Currently there are various commercially available products as well as research systems for OMR. An idealise system which could reliably "read" and "understand" music notations could provide a wide range of applications for interactive multimedia music, bringing paper-based music to the new multimedia era. This presentation discusses general obstacles and complexities for a comparative study of OMR systems and proposes a Quick-Test for OMR.

Biography of Kia Ng

 

Organization Committee
Copyright Ircam-Centre Pompidou 2003