|
|
|
scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
|
BRUNO BOSSISSome reflexions on analysis of the artificial vocality : representations, tools and prospective.AbstractHow can musicologists comprehend electroacoustic music ? With which tools ? What's specific about the analysis of artificial vocality ? Can we imagine new tools suitable for the analysis of electroacoustic music, particularly when artificial vocality is involved ? From these questions arise several difficulties. The first relates to the modes of representation and the analysis methods of the mechanical voice. Moreover, the disparity of the tools used by composers, musicians and analysts, imposes an inventory of tools in the form of a typology. To classify disparate elements can be a good method of questioning their meaning. Lastly, it is tempting to divert the expression "comparative analysis". To compare automatically various representations of one piece can help imagine new approaches to analysis itself. Breaking away from the relative blindess caused by the specialization and the rigidity of the tools available is becoming urgent, in particular for artificial vocality. |
|||||||||||||||||||||||||||||||
 |
Organization Committee Copyright Ircam-Centre Pompidou 2003 |