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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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JONATHAN DUNSBYA British Perspective on the Development of Set TheoryAbstractWithout intending to suggest that there has been any particularly British identity in pc set theory, this paper will discuss nevertheless some of the differences in emphasis to be identified in what I call "continental America". A general trend to be considered is the British interest in "genera" aspects of set theory, which has been conspicuous in very recent times, alongside the emblematic achievement, representing a very much wider remit than the traditional focus of set theory, of Pople's Tonalities project. |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |