scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 |
SOUND DESIGNActivitiesIntegrated into IRCAM's activities in 1999, the Sound Design Team unites researchers and composers. By associating scientific and artistic competences, its objective is to bring bases which are still lacking to this new discipline. Sound design was born less than twenty years ago, and regroups diverse domains. It has been defined as a sound esthetic "applied to the search for new forms, and adapted to their functions", according to the sound design charter. The applications are numerous : transport, identification, industrial products, communication, multimedia… For quite some time, industry has called on acousticians for noise control. Today, sound design gives the possibility of "new and functional" sounds. The Sound Design Team is made up of a research sector (under the responsibility of René Caussé and Olivier Warusfel, assisted by Nicolas Misdariis), and a creative design sector (with Projects Manager Louis Dandrel, assisted by Emmanuel Deruty). In order to respond to the diverse nature of the projects, a permanent collaboration has been established with the other IRCAM teams, and particularly with the Musical Perception and Cognition Team. Themes and Associated ProjectsThe activities of the team are based on four dominant research and creative aspects : Diffusion space. Many sound design applications require a mastery of diffusion and the use of particular techniques, notably in the domain of spatialisation and of control of source directivity. Areas of expertiseSound design, sound environments, identification, sonification, man/machine interfaces, acoustic quality. Team Members Head of research : Louis Dandrel CollaborationsPSA Peugeot-Citroën, Total-Elf-Fina, Centre des Monuments Nationaux, Université de Technologie de Compiègne, Ecole du Paysage de Blois, INA-GRM, Elias Arts-Sound Design (New York), Acoustics & Soundscapes (Netherlands). |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |