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Resonances 2003 > Speakers > Verdi, Luigi
day by day program
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october 2003

scientific program
electroacoustic musics
around set theory
music analysis tools
musicnetwork workshop

professional week
ircam forum workshops
free software for music
international multichannel sound forum
performing arts and technologies
dance and new technologies
access to sound heritage
thematic evenings
demonstration stands

artistic program
set theory concert
music in creation concert
cursus concerts
opera "one"
sound installations

open house weekend
technologies gallery
conferences demonstrations
workshop-performances
workshops and films
ircam laboratories
linux install-party
concert distribution on internet

associated events
resonances night at glaz'art
émilie simon at la cigale
suguru goto
reseaunances

guided tours of ircam and the multimedia library

resonances in pictures

resonances 2002
 

Luigi Verdi

Composer, conductor and musicologist

Luigi Verdi was born in Rome, he studied in Bologna, Pesaro and Milan and he graduated in Composition, Instrumentation, Choir and Orchestra Conducting. He also has a degree in Philosophy at the University of Bologna. He teaches Harmony, Counterpoint, Fugue and Composition at the "Antonio Buzzolla" Conservatoire of Adria (Italy). During the spring semester 2003, he has been guest professor at the Frostburg State University in Maryland. He works intensively as a composer, a musicologist and an orchestra conductor. As a composer, he is explicitly connected with the musical language of the first half of the 20th century, and particularly with the Slavic avant-garde, revisited in Mediterranean terms, with frequent reference to popular music ; his compositions are often performed during international and national festivals and concert events.

His many musicological writings include articles, monographic essays, volumes, among which Aleksandr Skrjabin tra musica e filosofia (Firenze 1990), and Kandinskij e Skrjabin : realtà e utopia nella Russia pre-rivoluzionaria (Lucca 1996), particularly dealing with the relations between music and painting ; his treatise of musical theory Organizzazione delle altezze nello spazio temperato (Treviso 1998) deals with the study of the various combinatorial possibilities of sounds according to a systematic approach.

Participation during Resonances 2003 :

- 1st day Around Set Theory


Organization Committee
Copyright Ircam-Centre Pompidou 2003