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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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John RahnProfessor of Music Composition, University of Washington John Rahn (BA, Diploma, MFA, Ph.D) is Professor of Music Composition and Theory, and Professor of Critical Theory, at the University of Washington. His compositions have been widely performed and broadcast in North and South America and in Europe, from Argentina to Romania. He served as Editor of Perspectives of New Music from 1983 to 1994 and again from 2001 to the present. His publications include the books Basic Atonal Theory, Perspectives on Musical Aesthetics (Norton), Music Inside Out (Gordon and Breach, 2001), and articles in Perspectives of New Music, Journal of Music Theory, Music Theory Spectrum, In Theory Only, Computer Music Journal, Contemporary Music Review, College Music Symposium, Musicus, Musikometrika, Les Cahiers de l'Ircam, World of Music, Current Musicology, Open Space, and the proceedings of various American, Italian, French, German, and Romanian conferences, on subjects including Brahms, non-tonal and serial theory, pitch-class theory, rhythmic theory, theory of tonal music and of medieval music, theoretical methodology and formal methods, mathematical models, musical grammars, computer analysis, digital sound sythesis, computer music, music and artificial intelligence.
Participation during Resonances 2003 :  Around Set Theory |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |