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Resonances 2003 > Speakers > Rahn, John
day by day program
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october 2003

scientific program
electroacoustic musics
around set theory
music analysis tools
musicnetwork workshop

professional week
ircam forum workshops
free software for music
international multichannel sound forum
performing arts and technologies
dance and new technologies
access to sound heritage
thematic evenings
demonstration stands

artistic program
set theory concert
music in creation concert
cursus concerts
opera "one"
sound installations

open house weekend
technologies gallery
conferences demonstrations
workshop-performances
workshops and films
ircam laboratories
linux install-party
concert distribution on internet

associated events
resonances night at glaz'art
émilie simon at la cigale
suguru goto
reseaunances

guided tours of ircam and the multimedia library

resonances in pictures

resonances 2002
 

John Rahn

Professor of Music Composition, University of Washington

John Rahn (BA, Diploma, MFA, Ph.D) is Professor of Music Composition and Theory, and Professor of Critical Theory, at the University of Washington. His compositions have been widely performed and broadcast in North and South America and in Europe, from Argentina to Romania. He served as Editor of Perspectives of New Music from 1983 to 1994 and again from 2001 to the present.

His publications include the books Basic Atonal Theory, Perspectives on Musical Aesthetics (Norton), Music Inside Out (Gordon and Breach, 2001), and articles in Perspectives of New Music, Journal of Music Theory, Music Theory Spectrum, In Theory Only, Computer Music Journal, Contemporary Music Review, College Music Symposium, Musicus, Musikometrika, Les Cahiers de l'Ircam, World of Music, Current Musicology, Open Space, and the proceedings of various American, Italian, French, German, and Romanian conferences, on subjects including Brahms, non-tonal and serial theory, pitch-class theory, rhythmic theory, theory of tonal music and of medieval music, theoretical methodology and formal methods, mathematical models, musical grammars, computer analysis, digital sound sythesis, computer music, music and artificial intelligence.

Participation during Resonances 2003 :

- Around Set Theory


Organization Committee
Copyright Ircam-Centre Pompidou 2003