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scientific program electroacoustic musics around set theory music analysis tools musicnetwork workshop professional week ircam forum workshops free software for music international multichannel sound forum performing arts and technologies dance and new technologies access to sound heritage thematic evenings demonstration stands artistic program set theory concert music in creation concert cursus concerts opera "one" sound installations open house weekend technologies gallery conferences demonstrations workshop-performances workshops and films ircam laboratories linux install-party concert distribution on internet associated events resonances night at glaz'art émilie simon at la cigale suguru goto reseaunances guided tours of ircam and the multimedia library resonances in pictures resonances 2002 
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Jean-Claude RissetComposer Born in 1938. Music studies (piano, harmony/counterpoint, composition with André Jolivet) and scientific studies (Ecole Normale Supérieure). Worked in the '60 with Max Mathews at the Bell Laboratories to develop music applications of sound synthesis by computer : imitation of instruments, acoustical paradoxes and illusions, sound composition. Publishes a catalogue of sound synthesis (1969). Starts working with sound synthesis by computer in Orsay (1970), Marseille-Luminy (1975), and at Ircam where, from 1975 to 1979, he's head of the Computer Department. Composer in residence at Stanford University, Dartmouth College and M.I.T.(Media Laboratory), where, in 1989, he starts working on the first Duo pour un pianiste. Grand Prix National of Music 1990, golden medal of the CNRS 1999. Various instumental, electro-acoustical and mixed works, published on 20 CD's of which the monographic CD INA Sud (C1003) and Elementa (C1019), WERGO 2013-50, GRM-EI06. In 2002 his work Sud is the first electro-acoustical music ever proposed for the music option of the baccalauréat.
Participation during Resonances 2003 :  Instrument/Computer Interaction |
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Organization Committee Copyright Ircam-Centre Pompidou 2003 |