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Resonances 2003 > Speakers > Solomos, Makis
day by day program
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october 2003

scientific program
electroacoustic musics
around set theory
music analysis tools
musicnetwork workshop

professional week
ircam forum workshops
free software for music
international multichannel sound forum
performing arts and technologies
dance and new technologies
access to sound heritage
thematic evenings
demonstration stands

artistic program
set theory concert
music in creation concert
cursus concerts
opera "one"
sound installations

open house weekend
technologies gallery
conferences demonstrations
workshop-performances
workshops and films
ircam laboratories
linux install-party
concert distribution on internet

associated events
resonances night at glaz'art
émilie simon at la cigale
suguru goto
reseaunances

guided tours of ircam and the multimedia library

resonances in pictures

resonances 2002
 

Makis Solomos

Musicologist, Senior lecturer at University of Montpellier-III

Makis Solomos was born in 1962 in Athens. He is living in Paris since 1980 and is currently maître de conférences at University Montpellier 3 and membre junior of the Institut Universitaire de France. His research domains are :

-  Xenakis. He has written a PhD, about 30 articles and a book (Iannis Xenakis, Mercuès, PO Editions, 1996) on his music and has organized the first international symposium on him (proceedings : Présences de / Presences of Iannis Xenakis, Paris, Cdmc, 2001). He is preparing a new book, Entendre, tendre vers la musique de Xenakis and a new symposium. In collaboration with Sharon Kanach and Benoît Gibson, he is working on a critical edition of Xenakis' writings.

-  Modern music, from Debussy to John Zorn, from Adorno to questions on technologies and on globalization in music. He has published about 40 articles, edited or co-edited the books L'espace : musique-philosophie (Paris, l'Harmattan, 1998), Musiques, arts, technologies. Pour une approche critique (Paris, L'Harmattan, 2003) and La métaphore lumineuse : Xenakis-Grisey (forthcoming), and co-written the book Formel-Informel : musique-philosophie (Paris, l'Harmattan, 2003). He is preparing a book on the emergence of sound, De la musique au son. Notes pour une histoire multiple de la musique du 20e siècle, and is editing a book on the music of Horacio Vaggione.

Participation during Resonances 2003 :

- 2nd day Electroacoustic Musics


Organization Committee
Copyright Ircam-Centre Pompidou 2003